Câu hỏi:
25/12/2024 546
A. Unless we had her contribution, we could continue with the project.
B. But for her contribution, we could have continued with the project.
C. If she hadn't contributed positively, we couldn't have continued with the project.
Đáp án chủ yếu xác
D. Provided her contribution wouldn't come, we couldn't continue with the project.
Đáp án C
Kiến thức: viết lách lại câu
Giải thích:
Câu C là đúng đắn vì thế nó không thay đổi chân thành và ý nghĩa của câu gốc: sự giúp sức của cô ấy ấy là ĐK quan trọng để tham gia án rất có thể nối tiếp. Câu ĐK loại 3 (câu ĐK giả thiết nhập vượt lên trên khứ) được dùng ở phía trên nhằm trình diễn mô tả một trường hợp không tồn tại thực nhập vượt lên trên khứ.
Các câu không giống sai vì:
Câu A. Trừ Lúc công ty chúng tôi đem sự góp sức của cô ấy ấy, công ty chúng tôi rất có thể nối tiếp dự án công trình. (sai nghĩa)
Câu B. Nếu không tồn tại sự công hiến của cô ấy ấy, công ty chúng tôi vẫn nối tiếp dự án công trình. (sai nghĩa)
Câu D. Câu ĐK phân tách sai thì. Sửa lại: Provided her contribution hadn’t come, we wouldn’t have continued with the project.
Dịch: Nếu cô ấy ko góp sức tích đặc biệt vì vậy, công ty chúng tôi dường như không thể nối tiếp dự án công trình này.
CÂU HỎI HOT CÙNG CHỦ ĐỀ
Câu 1:
Mark the letter A, B, C, or D đồ sộ indicate the word that differs from the other three in the position of the primary stress in each of the following questions.
Câu 2:
Having passed the entrance exam, ____________ go away for a holiday.
Câu 3:
I find myself at a loss đồ sộ understand Harold's behavior.
Câu 4:
Jenny: "I think higher living standard is one of the reasons that many people want đồ sộ be a city dweller."
Mark: “____________”
Jenny: "I think higher living standard is one of the reasons that many people want đồ sộ be a city dweller."
Mark: “____________”
Câu 5:
The higher one rises in the atmosphere, ____________ the temperature generally becomes.
Câu 6:
If people ____________ after their houses properly, the police wouldn't have so sánh much work đồ sộ bởi.
Câu 7:
We____________for a cottage đồ sộ rent while we ____________ our relatives in France next summer.
Câu 8:
Mark the letter A, B, C, or D đồ sộ indicate the word that differs from the other three in the position of the primary stress in each of the following questions
Câu 9:
Mark the letter A, B, C, or D đồ sộ indicate the sentence that best combines each pair of sentences in the following questions.
She received the exam results. She immediately phoned her mom.
Mark the letter A, B, C, or D đồ sộ indicate the sentence that best combines each pair of sentences in the following questions.
She received the exam results. She immediately phoned her mom.
Câu 10:
Mark the letter A, B, C or D đồ sộ indicate the most suitable response đồ sộ complete each of the following exchanges.
- "Do you mind if I take a seat?"- “____________”
Mark the letter A, B, C or D đồ sộ indicate the most suitable response đồ sộ complete each of the following exchanges.
- "Do you mind if I take a seat?"- “____________”
Câu 11:
Mark the letter A, B, C, or D on your answer sheet đồ sộ indicate the word whose underlined part differs from the other three tin cẩn the pronunciation in each of the following questions.
Câu 12:
I can't give you the answer on the ____________; I'll have đồ sộ think about it for a few days.
Câu 13:
Read the following passage and mark the letter A, B, C, or D đồ sộ indicate the correct answer đồ sộ each of the questions from 35 đồ sộ 42
The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art size was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.
On the rare occasion when a fine piece of sculpture was desired, Americans turned đồ sộ foreign sculptors, as in the 1770's when the cities of Thành Phố New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton đồ sộ make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in Thành Phố New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought đồ sộ the colonies đồ sộ be mix in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which đồ sộ choose – either the local craftspeople or the imported talent of European sculptors.
The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.
What is the main idea of the passage?
Read the following passage and mark the letter A, B, C, or D đồ sộ indicate the correct answer đồ sộ each of the questions from 35 đồ sộ 42
The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art size was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.
On the rare occasion when a fine piece of sculpture was desired, Americans turned đồ sộ foreign sculptors, as in the 1770's when the cities of Thành Phố New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton đồ sộ make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in Thành Phố New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought đồ sộ the colonies đồ sộ be mix in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which đồ sộ choose – either the local craftspeople or the imported talent of European sculptors.
The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.
What is the main idea of the passage?
Câu 14:
A child is influenced as much by his schooling as by his parents.